Bonus: "Politically Charged"
Six days ago, the Frankfurt Book Fair, the largest gathering of the publishing world, cancelled “postponed” its scheduled LiBeraturpreis Award and recognition ceremony for Palestinian writer and essayist Adania Shibli, citing “a politically charged” atmosphere.
The moment would’ve been a celebratory milestone for her acclaimed novel Minor Detail, originally released in 2016 and translated in 2020, which tells the true story of the 1949 rape and murder of a Palestinian girl by Israeli soldiers. The prize, awarded by German literary association Litprom specifically celebrates African, Asian, Arab, and Latin American female authors.
The decision to cancel came from Litprom’s Juergen Boos, who is coincidentally also director of the book fair. At first, the fair falsely claimed the cancellation was a “joint decision” Shibli participated in, which her agent refuted.
In his first of many statements, Boos dangerously spoke of the “war started by Hamas” and cited the atmosphere surrounding the “Israel-Gaza war.”
(Yes, girl, we are talking about Frankfurt …as in Germa— let me stop. I’m trying not to lose my mind here, but there are educated, literary world figures in Germany citing Hamas as the spontaneous, big bang origin of modern Palestinian destabilization).
Boos statements do offer joint sympathy for the suffering of both the Israeli and Palestinian people, and also specifically connect Hamas to terrorism. A second (third?) statement asserts loyalty to Israel and announces a hastily created programming schedule to platform Israeli and Jewish voices at the fair.
The Palestinian author remains excluded.
A Palestinian author’s award ceremony has been cancelled at Frankfurt Book Fair. This sends the wrong signals at the wrong time (The Conversation)
A Chill Has Been Cast Over the Book World (NYT Op Ed)
Last year’s session reportedly saw no issue with hosting a pre-recorded welcome video from Ukrainian President, and actual man at war, Volodymyr Zelensky. Despite no military under her command or national governance in her background, it is the world around Adania, a writer and mother, that is too politically charged for inclusion.
Her very existence is considered an act of resistance at this point.
Nearly 350 writers and publishers signed a letter in support of Adania. Literary orgs from several countries, including Indonesian and Malaysian, have withdrawn participation in support.
Read her words — Below is an excerpt from the novel’s second part, which follows a woman who has become obsessed with a crime that occurred twenty-five years before the date of her birth.
“I call the author of the article, an Israeli journalist, and try to pass myself off as a self-confident person. I introduce myself as a Palestinian researcher, while trying as hard as possible not to stutter, and explain the reason for my call. Neither the introduction nor the explanation thrills him.
I ask if he would share with me the documents in his possession which relate to the incident.
He replies that everything he has is there in the article. I add that, even so, I would like to look at them myself, and he says that if that’s what I’d like, I can go and look for them myself.
“Where?” I ask him.
In museums and archives of the Israeli military and Zionist movements from the period, and those specializing in the area where the incident occurred. And where are they?
“ [Minor Detail is] a blistering allegory about state violence and the conscription of women’s bodies. In its minor details, Shibli’s novel offers a piercing account of everyday life for Palestinians living under Israeli occupation. The translation by Elisabeth Jaquette is superb. Minor Detail is a credo for revolution, a major book: tense, propulsive and timely.”
— Emily Stewart, The Saturday Paper
He replies, in a tone betraying that his patience has nearly expired, that they’re in Tel Aviv and in the north-west Negev.
Then I ask him if, as a Palestinian, I can enter these museums and archives? And he responds, before putting down the receiver, that he doesn’t see what would prevent me. And I don’t see what would prevent me either, except for my identity card.
The site of the incident, and the museums and archives documenting it, are located outside Area C, according to the military’s division of the country, and not only that, but they’re quite far away, close to the border with Egypt, while the longest trip I can embark on with my green identity card, which shows I’m from Area A, is from my house to my new job. Legally, though, anyone from Area A can go to Area B, if there aren’t exceptional political or military circumstances that prevent one from doing so.
But nowadays, such exceptional circumstances are in fact the norm, and many people from Area A don’t even consider going to Area B. In recent years, I haven’t even gone as far as Qalandiya checkpoint, which separates Area A and Area B, so how can I even think of going to a place so far that it’s almost in Area D?
Even the people from Area B cannot do that, and probably also those from Area C, including people from Jerusalem, whose very existence constitutes a security threat if they utter a word of Arabic outside their areas.
They’re permitted, of course, to be in Area A, as are residents of Area B, who frequently visit it, and sometimes move there, despite the fact that it’s tantamount to a prison now.
At my new job, for instance, in addition to people, like me from Area A, many of my colleagues are from other Areas, all very nice people. One day at work, I confide in a colleague from Area C, from Jerusalem, that I need to go to her Area, or perhaps a bit further, to take care of a personal matter; after all, it’s not unusual for people from Area A to need to go to Area C for personal matters, and for people from Area C to need to go to Area A for personal matters.
On hearing that, my colleague offers to lend me her blue identity card, since we’re all brothers and sisters in the end, and we look similar too, at least in the eyes of the soldiers at the checkpoint. Besides, they don’t closely inspect women in the first place, so they’ll never notice the difference between me and the photo on her identity card. They hardly look at the people standing at the checkpoint anyway, given their contempt, and what’s more, people typically look different from the photos on their identity cards, which could have been taken when they’d just turned sixteen.
Honestly.
Yes, I can easily use her identity card, do what I need to do and return it when we arrive at work at the beginning of next week. No rush at all. And she’ll spend the weekend in Ramallah with friends. Of course, if I’m discovered, I’ll say that I stole the identity card from her bag, so as not to implicate her. At any rate, I have to be cautious. And I’ll certainly make every effort not to be reckless.
So, on the afternoon of the last day of the working week, I stop by her office, borrow her identity card and head to a car rental company to rent a car with a yellow number plate, without which one cannot travel to areas beyond Area C. But as I’m about to sign the agreement it becomes clear that I need a credit card, which I don’t have. And because I don’t want to further burden that colleague, I call another colleague from my new job and ask for his help. He comes to the rental office right away and rents a car for me using his credit card, after listing me on the agreement as an additional driver, as the company employee advises us, and then I get the key.
Really, my colleagues are so nice. And now I don’t see any reason that would prevent me from embarking on my mission to discover the complete truth about the incident, except that, as soon as I sit down behind the steering wheel of the little white car I’ve just rented, and turn the key to start the engine, what appears to be a spider begins spinning its threads around me, tightening them into something like a barrier, impenetrable if only because they’re so fragile.
It’s the barrier of fear, fashioned from fear of the barrier.
The checkpoint.
I’ve often heard that today, Saturday, is the worst, and most difficult, day to cross through the Qalandiya checkpoint. Not only is everyone from Jerusalem coming to Ramallah, to buy fresh vegetables from the market there, or to take care of personal matters, but the soldiers are in a vindictive mood, resentful of everyone passing through the check- point, everyone who obliges them to work on what should be their weekend, Saturday, the day on which God Himself rested. In any case, Israeli museums and archives are all closed on Saturday for the same reason, which means that I cannot embark on my research immediately anyway. Not today, at least.”
Purchase a hardcopy of Minor Detail by Adania Shibli here and as audiobook here.
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